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In page Galina Ustvolskaya:

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The music of Galina Ustvolskaya was not openly censured in the USSR. However, she was accused by her colleagues of being unwilling to communicate and of "narrowness" and "obstinacy". Though many who knew Ustvolskaya perceive the Western sentiment toward her compositions to be one of rebellion and grandiosity, with pianist Oleg Malov even calling her methods a totalitarian fight against Soviet Russia's totalitarian regime, resulting in "double totalitarianism". While her propensity for a grandiose attitude was seemingly present in her personal life, and noted by several students and colleagues, she never composed "for money", except for her commissioned works from 1949–1962, and mainly thought of herself and her music as being misunderstood by those around her.[citation needed]