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In page Monique Haas:

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French pianists of Haas's generation were moving away from the facile, often brittle technique associated with Marguerite Long (frequently referred to as the "diggy-diggy-dee" style).[1] Haas combined the cleanness and precision associated with the older school with a warmth of tone colour that reflected the influence of Alfred Cortot. Her unsentimental readings, especially of Debussy and Ravel, give a different view of their music, presenting them as both modern and as inheritors of the tradition of Couperin and the clavecinistes of the 18th century.[citation needed]