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In page Leontyne Price:

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At the same time, she was cautious – some said too cautious[citation needed] – in choosing new roles, conscious of her need to keep her reputation as a leading prima donna intact.[citation needed] After 1970, she performed only three new roles: Giorgetta in Puccini's Il tabarro in San Francisco; Puccini's Manon Lescaut, in San Francisco and New York; and the title role in Ariadne auf Naxos, also in San Francisco and New York. Of these, only Ariadne was considered by critics as superlative.[citation needed]