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In page Jeanette Wässelius:

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Her most noted parts were the interpretations of Armide by Gluck, Laura in Léon, ou Le château de Monténéro by Dalayrac, Sophie in Sargino, ossia L'allievo dell'amore by Paër, Antigone in Oedipe uti Athen (Oidipus in Athens)[citation needed] by Sacchini, Constance in Les deux journées, ou Le porteur d'eau by Cherubini and Juliet in Roméo et Juliette composed by Daniel Steibelt (opposite Karl Gustaf Lindström), (1814–15 season) and Iphigénie in Iphigénie en Aulide by Gluck.