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In page Batile Alake:

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Achieving prominence in the context of commercial music recording of the 1970s, Alake also released songs that pass as "praise-singing", dedicated to patrons or matrons who performed one favor or another for her. However, this is not a defining feature of her work. Later in the 1980s she also modified aspects of her style by deploying the three-tone percussion preferred by youthful listeners who looked to the music for songs suited to dance.[citation needed]