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In page Slavery in Brazil:

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Ilê Aiyê's numbers have since grown into the thousands. Though the media has called it ‘racist’, to a large degree the black-only bloco has become one of the most interesting aspects of Salvador's Carnaval and is continuously accepted as a way of life. Combined with the influence of Olodum[3] in Salvador, musical protest and representation as a product of slavery and black consciousness has slowly grown into a more powerful force. Musical representation of problems and issues have long been part of Brazil's history, and Ilê Aiyê and Olodum both produce creative ways to remain relevant and popular.[citation needed]