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In page Elsa von Freytag-Loringhoven:

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In a performance of these ideals sometime between 1915-1916 in New York City, von Freytag-Loringhoven took a gifted newspaper clipping of Marcel Duchamp's Nude Descending a Staircase to rub over her own nude body while reciting a love poem as an ode to the artist of the original painting. This performance was not only a public proclamation of her romantic feelings for Duchamp at that time, but transformative due to this act turning the working artist-model into an artist in her own right.[5] Freytag-Loringhoven's body art was a form of dadaist performance art and activism.[citation needed]