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In page Joanna Baillie:

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Yet even when Martineau met her in the 1830s, that fame seemed to belong to a bygone era. There were no revivals of her plays in the 19th or 20th century, though her tragedies might seem suited to the intimacy of television or film. Not until the late 20th century did critics began to recognize how her intimate depictions of the human psyche had influenced Romantic literature. Scholars now recognize her importance as a stage innovator and dramatic theorist, and critics and literary historians of the Romantic period concerned with reassessing the place of women writers acknowledge her significance.[citation needed]