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In page Annie Girardot:
"She made her film debut in Thirteen at the Table (Treize à table, 1955), but it was with theatre that she was beginning to attract the attention of critics.[citation needed] Her performance in a revival of Jean Cocteau's play La Machine à écrire in 1956 was lauded by the author who called her "The finest dramatic temperament of the Postwar period".[1] In 1958, Luchino Visconti directed her opposite Jean Marais in a French stage adaptation of William Gibson's Two for the Seesaw.[2]
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