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In page Judy Chicago:

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Many art critics, including Hilton Kramer from The New York Times, were unimpressed by her work.[8] Mr. Kramer felt Chicago's intended vision was not conveyed through this piece and "it looked like an outrageous libel on the female imagination."[8] Although art critics felt her work lacked depth and the dinner party was just "vaginas on plates," it was popular and captivated the general public. Chicago debuted her work in six countries on three continents. She reached over a million people through her artwork.[citation needed]