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In page Josefa de Óbidos:

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In 1644, Josefa is documented as a boarder at the Augustinian Convent of Santa Ana in Coimbra, while her father was in nearby Santa Cruz, working on an altarpiece for the church of Nossa Senhora da Graça.[2] While in residence at this convent in 1646, Josefa made engravings of St. Catherine and St. Peter, her earliest signed extant works.[2][1] Josefa's first signed painting dates to 1647, a small Mystical Marriage of St. Catherine on copper (Museu Nacional de Arte Antiga, Lisbon), completed for the Augustinian Monastery of Santa Cruz in Coimbra.[2][3] In the same year, she completed other small paintings on copper, including a Nativity Scene with St. Francis and Saint Clare Adoring the Newborn Christ (private collection).[citation needed]