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In page Leatrice Joy:

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Directors often cast Joy in the strong-willed independent woman role, and the liberated atmosphere of the Jazz Age Roaring Twenties solidified her public popularity, especially with female movie goers. Her close-cropped hair and somewhat boyish persona (she was often cast as a woman mistaken for a young man) became fashionable during the era.[citation needed] With her increasing popularity, Joy was sought out by Cecil B. DeMille, who signed her to Paramount Pictures in 1922, immediately casting her in that year's successful high-society drama Saturday Night opposite Conrad Nagel. Joy starred in a number of successful releases for Paramount and was heavily promoted as one of DeMille's most prominent protégées.[2]