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In page Yente Serdatzky:

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After publishing "Confession," Serdatzky continued to write stories and plays primarily about immigrant women. As scholars have explained, the Yiddish poet Yankev Glatshteyn argued that the perception of Serdatzky as "angry" led to a lamentable lack of serious engagement with her work and resulted in the financial problems that plagued her life.[1] In "Mirl," "Confession," and her later works, Serdatzky channels women's anger by providing the reader with an understanding of the political, religious, and economic circumstances that disproportionately affected women. At the same time, the testimonial form of stories like "Confession" suggests that storytelling and community between women might provide a path forward.[citation needed]