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In page Sarah Moss:

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Moss creates a motif of light at the outset of her Ondaatje Prize-nominated text, Ghost Wall, as a female character is brought out, "not blindfolded", but with her "eyes widened" to "the last light" of the day and also quite possibly of her life. This foreshadowing narrative at the outset is an historic representation of a social evil that occurred in medieval England many centuries ago among those communities that practised human sacrifice.[citation needed]