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In page Gwen Raverat:

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There was some similarity between her early engravings and those of Gill, and she did know Gill, but the similarity was based mostly on her black line style at the time, influenced by Lucien Pissarro, and the semi-religious themes that she then chose. One of her first wood engravings to appear in a book was "Lord Thomas and Fair Annet" in The Open Window (1911), which also featured a wood engraving by Noel Rooke.[citation needed]