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In page Neil the Horse:

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Creator Collins always worked with other cartoonists as assistants/collaborators. Her primary pairings were with David Roman of Toronto and Barb Rausch of Los Angeles, both of whom assisted with plotting and penciling.[7] It was common for the original art pages to be sent by courier back and forth between the two cities to be worked on; throughout the 1980s, Collins frequently moved back and forth between cities, and as well often worked while in transit, setting up a temporary studio in guest rooms and even once in a gazebo in Oakland, California.[citation needed]