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In page Carmen Rodríguez:

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Rodríguez believes that translation requires "reincarnating the soul of a piece".[2] Often, her works are composed in Spanish, and then reworked in English, or vice versa, "involving a process of back and forth" between the two languages.[1] This can be a slow process, but it reflects her life in both cultures. Rodríguez suggests that this translation enhances her awareness of the nuances between the languages and the "two worlds that [she] lives in".[citation needed] Ultimately, her aim is to create two works that "share the same soul".[citation needed] Her choice to publish her works bilingually was encouraged "by her desire to acknowledge the existence of Canadians in a bilingual world, forced by the hand of the dominance of English".[3]