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In page Hilda Morley:

"

Part of the force of Morley's work is a boldness to go as far as she can within her medium. In her hands it is always an expressive personal means. In writing on Morley's long poem “The Shutter Clangs”, Stanley Kunitz comments, “In the poem from which the passage is taken she meditates on John Donne's ‘Goodfriday, Riding Westward' and mounts on that meditation an oceanic spate of images pertaining to the death of her beloved – a montage with a span of three centuries, so rich and eloquent, even in its extravagance, that it constitutes a daring tour de force. It is a vehicle that threatens on almost every page to fall apart, but in the end, out of the ‘clair bones’ and the dark years, the imagination seems to spread its sails and fly, ever westward, to the open water.”[citation needed]