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In page Sylvia Wynter:

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Starting with a basis in literary criticism, Wynter moved through a marxist analysis of the Iberian colonial pieza system in her monumental Black Metamorphosis, toward a cultural analysis grounded in the politics of being from the perspective of Fanon's autophobic subject. She analyzes how marginalized cultural formations like Myal, Rastafari, Vodou, and Jonkonnu, provide a zero ground and catalytic zone of resistance against European hegemony.[citation needed]