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In page Sybil Shearer:

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Margaret Lloyd said of Sybil in her book "The Borzoi Book of Modern Dance",[4] "Sybil Shearer is a perfectionist who likes to believe that perfection is humanly attainable."[5] Shearer was among the first performers to tackle spiritual and social justice issues, such as the plight of factory workers, a theme of one of her pieces. She drew ideas and inspiration from a variety of artistic influences, including lengthy correspondence with choreographer and dancer Agnes de Mille[3] and writer Virginia Woolf.[citation needed] In turn, as early as 1949, she influenced the American visual artist Ray Johnson, who dedicated a series of collages to her.[6]