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In page Edith Segal:

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In 1930 she created her best-known work, Black and White, along with Allison Burroughs which was one of the first interracial dance performances in the United States.[3][4] Black And White has been noted as the signature work in American leftist dance.[3] Other Segal choreographed works on race relations included Scottsboro, Third Degree and Southern Holiday. In addition to civil rights themes, Segal created many dances around Jewish cultural themes as well as worker’s rights, always sympathetic to communist causes.[3] During the Red Scare in the 1950s she was called to testify before the New York state legislature investigating committee regarding her communist ties.[citation needed]