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In page Flora Osete:

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The first translation signed by Osete, under the initials FO, was A Sportsman's Sketches by Ivan Turgenev (Editorial Ibérica, 1914). Pérez used Osete's name again, slightly transformed into Flora Ossette, to sign the translation of Woman and Labour by Olive Schreiner. At a time when it was common for women to hide their names behind their husbands' (as in the case of Gregorio Martínez Sierra and María Lejárraga), the motivation in this case was commercial. A woman's name on the cover was used to enhance a work's appeal to feminists, a fairly common practice at the publisher Montaner y Simón.[citation needed] Literary critics have noted an amplification and seeming endorsement of Schreiner's feminist ideas in the translation.[1][2]