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In page James McNeill Whistler:

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In 1890, he met Charles Lang Freer, who became a valuable patron in America, and ultimately his most important collector.[24] Around this time, in addition to portraiture, Whistler experimented with early colour photography and with lithography, creating a series featuring London architecture and the human figure, mostly female nudes.[25] He contributed the first three of his Songs of Stone lithographs to The Whirlwind, a Neo-Jacobite magazine published by his friend Herbert Vivian.[26] Whistler had met Vivian in the late 1880s when both were members of the Order of the White Rose, the first of the Neo-Jacobite societies.[citation needed]