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In page Counterpoint:

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Nonetheless, according to Kent Kennan: "....actual teaching in that fashion (free counterpoint) did not become widespread until the late nineteenth century."[2] Young composers of the eighteenth and nineteenth centuries, such as Mozart, Beethoven, and Schumann, were still educated in the style of "strict" counterpoint, but in practice, they would look for ways to expand on the traditional concepts of the subject.[citation needed]