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Paul-Louis Couchoud's articles on haiku in French were read by early Imagist theoretician F. S. Flint, who passed on Couchoud's ideas to other members of the proto-Imagist Poets' Club such as Ezra Pound. Amy Lowell made a trip to London to meet Pound and learn about haiku. She returned to the United States, where she worked to interest others in this "new" form. Haiku subsequently had a considerable influence on Imagists in the 1910s, notably Pound's "In a Station of the Metro" of 1913,[1] but, notwithstanding several efforts by Yone Noguchi to explain "the hokku spirit", there was as yet little understanding of the form and its history.[citation needed]