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In page Fairy tale:

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Other authors may have specific motives, such as multicultural or feminist reevaluations of predominantly Eurocentric masculine-dominated fairy tales, implying critique of older narratives.[6] The figure of the damsel in distress has been particularly attacked by many feminist critics. Examples of narrative reversal rejecting this figure include The Paperbag Princess by Robert Munsch, a picture book aimed at children in which a princess rescues a prince, Angela Carter's The Bloody Chamber, which retells a number of fairy tales from a female point of view and Simon Hood's contemporary interpretation of various popular classics.[citation needed]