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In page Thoinot Arbeau:

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Orchésographie, first published in Langres, 1589,[1] provides information on social ballroom behaviour and the interaction between musicians and dancers. It is available online in facsimile and in plain text. An English translation by Mary Stewart Evans, edited by Julia Sutton, is available in print from Dover Publications. It contains numerous woodcuts of dancers and musicians and includes many dance tabulations in which extensive instructions for the steps are lined up next to the musical notes, a significant innovation in dance notation at that time.[citation needed] Orchésographie was partly written as a rebuttal of Calvinist treatises published at the time which argued that dance was an immoral and vain pastime.[2]