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In page Auguste Rodin:

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Sculptural fragments to Rodin were autonomous works, and he considered them the essence of his artistic statement. His fragments – perhaps lacking arms, legs, or a head – took sculpture further from its traditional role of portraying likenesses, and into a realm where forms existed for their own sake.[5] Notable examples are The Walking Man, Meditation without Arms, and Iris, Messenger of the Gods.[citation needed]