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In page Francesco Cilea:

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There are a number of extant examples documenting Cilea's modest skills as a performer. At the piano Cilea accompanied Caruso in a recording of a part of the duet Non piu nobile and made another recording with the baritone De Luca at the same time (November 1902). In 1904, for the Gramophone (and Typewriter Company), he accompanied the tenor Fernando de Lucia in L'Anima ho stanca from Adriana Lecouvreur and in the song Lontananza, an effort which critic Michael Henstock (in his biography of de Lucia) declares is hardly inspired by de Lucia's fine performances. According to Henstock, even given the crude recording techniques of the day Cilea's piano playing seems square and lifeless.[citation needed]