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In page Patterson–Gimlin film:

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One factor that complicates discussion of the Patterson film is that Patterson said he normally filmed at 24 frames per second, but in his haste to capture the Bigfoot on film, he did not note the camera's setting. His Cine-Kodak K-100 camera had markings on its continuously variable dial at 16, 24, 32, 48, and 64 frames per second, but no click-stops, and was capable of filming at any frame speed within this range. Grover Krantz wrote, "Patterson clearly told John Green that he found, after the filming, that the camera was set on 18 frames per second (fps). ... "[1][2] It has been suggested that Patterson simply misread "16" as "18".[citation needed]