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In page Alessandro Allori:

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S. J. Freedberg derides Allori as derivative, claiming he illustrates "the ideal of Maniera by which art (and style) are generated out of pre-existing art."[citation needed] The cold and polished appearance of his painted figures makes them resemble statues as much as living beings. The art historian Simona Lecchini Giovannoni is more positive, remarking that Allori gives life to these "grandiose, introverted figures" by surrounding them with realistic depictions of plants and flowers, household furniture, and textiles; the paintings "approach the spectator, not with dialogue and sentiment, but through the tangible evidence of objects and details".[3]