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In page Roy Orbison:

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Critic Dave Marsh categorizes Orbison's ballads into themes reflecting pain and loss, and dreaming. A third category is his uptempo rockabilly songs such as "Go! Go! Go!" and "Mean Woman Blues" that are more thematically simple, addressing his feelings and intentions in a masculine braggadocio.[citation needed] In concert, Orbison placed the uptempo songs between the ballads to keep from being too consistently dark or grim.[1]