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In page Effects unit:

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In the 1980s, digital rackmount units began replacing stompboxes as the effects format of choice. Often musicians would record dry, unaltered tracks in the studio and effects would be added in post-production.[citation needed] The success of Nirvana's 1991 album Nevermind helped to re-ignite interest in stompboxes. Some grunge guitarists would chain several fuzz pedals together and plug them into a tube amplifier.[9] Throughout the 1990s, musicians committed to a lo-fi aesthetic such as J Mascis of Dinosaur Jr., Stephen Malkmus of Pavement and Robert Pollard of Guided by Voices continued to use analog effects pedals.[10]