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In page Thomas Eakins:

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Eakins' lifelong interest in the figure, nude or nearly so, took several thematic forms. The rowing paintings of the early 1870s constitute the first series of figure studies. In Eakins' largest picture on the subject, The Biglin Brothers Turning the Stake (1873; image link), the muscular dynamism of the body is given its fullest treatment.[citation needed]