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In page Paul Cézanne:

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The still lifes that Cézanne painted from the late 1880s are another focus of his work. He refrained from rendering the motifs in linear perspective and instead depicted them in the dimensions that made sense to him in terms of composition; a pear, for example, can be oversized in order to achieve inner balance and an exciting composition. He built his arrangements in the studio. In addition to the fruit, there are jugs, pots and plates, and occasionally a putto, often surrounded by a white, puffy tablecloth that lends the subject a baroque opulence. It is not the objects that should attract attention, but the arrangement of the shapes and colours on the surface.[citation needed]