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In page Dylan Thomas:

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Thomas's refusal to align with any literary group or movement has made him and his work difficult to categorise.[1] Although influenced by the modern symbolism and surrealism movements[citation needed] he refused to follow such creeds. Instead, critics view Thomas as part of the modernism and romanticism movements.[2] Elder Olson, in his 1954 critical study of Thomas's poetry, wrote of "[...] a further characteristic which distinguished Thomas's work from that of other poets. It was unclassifiable."[3] Olson continued that in a postmodern age that continually attempted to demand that poetry have social reference, none could be found in Thomas's work, and that his work was so obscure that critics could not explicate it.[4]