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In page The Last Laugh (1924 film):

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Decorations and presentation of contrasting environments were also significant in creating the impression. The contrast between the rich environment of the Atlantic hotel and the lower class housing, gives an impression of a realistic presentation of situations. The decorators for Der letzte Mann were Robert Herlth and Walter Röhrig.[1] Another use of contrast was the illustration of the respect and essentially the power of the uniform combined with the ridicule and disregard which the doorman experienced after his demotion.[citation needed]