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In page Leda and the Swan:

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There were many other depictions in the Renaissance, including cycles of book illustrations to Ovid, but most were derivative of the compositions mentioned above.[8] The subject remained largely confined to Italy, and sometimes France—Northern versions are rare.[9] After something of a hiatus in the 18th and early 19th centuries (apart from a very sensuous Boucher[10]), Leda and the Swan became again a popular motif in the later 19th and 20th centuries, with many Symbolist and Expressionist treatments.[citation needed] Gustav Klimt painted the subject of Leda with the Swan in 1917, however this work was destroyed in the fire at Schloss Immendorf in 1945.[11]