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In page Diego Velázquez:

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The respect with which twentieth century painters regard Velázquez's work attests to its continuing importance. Pablo Picasso paid homage to Velázquez in 1957 when he recreated Las Meninas in 44 variations, in his characteristic style.[1] Although Picasso was concerned that his reinterpretations of Velázquez's painting would be seen merely as copies rather than as unique representations,[citation needed] the enormous works—the largest he had produced since Guernica (1937)—entered the canon of Spanish art.[2]